San Francisco has a long and vibrant history as an art capital. Public art installations can be enjoyed across the Port, each one offering a unique perspective of the City and highlighting the natural beauty of the waterfront. 



 Pier 39 Crab Topiary Name: "Crab Topiary"
Artist: Jeff Brees
Installed: 2003
Location: PIER 39
Description: Gracing the entrance to PIER 39, the much-photographed Crab with its living body and extended claws has become a familiar piece at Fisherman's Wharf. 
 Pier 39 Guardians Name: "Guardians of the Gate"
Artist: Miles Metzger (sculptor)
Installed: 1991, dedicated 1992
Location: West Park adjacent to the PIER 39 Entrance Plaza
Description:  A bronze sculpture that depicts sea lions in loving embrace.
 Pier 39 Skygate Name: "Skygate"
Artist: Roger Barr (sculptor)
Installed: 1984, dedicated 1985
Location: East Park Lawn, PIER 39
Description: A stainless steel structure, with an upright arch culminating in three helix shapes with a highly polished surface which reflects its surroundings. This sculpture is meant to be walked around, viewed from all sides as well as from underneath
 Pier 30 Open Heart Name: "Open Heart"
Artist: Patrick Dintino (painter)
Installed: 2014
Location: Level 1, Bay End, PIER 39
Description: PIER 39 is home to “Open Heart," part of San Francisco General Hospital Foundation’s 2014 “Hearts in San Francisco” collection that supports the vital programs and initiatives of San Francisco General Hospital and Trauma Center. “Open Heart” was hand-painted by local artist Patrick Dintino, a San Francisco native whose mother’s life was saved more than a decade ago by open heart surgery.
 Pier 27 Memorial Name: "James R. Herman Memorial"
Artist: Floating Point Collective 
Installed: 2014
Location: Pier 27 Cruise Terminal, Lobby East (First Floor)
Description: To commemorate Port Commissioner James R. Herman and describe his contributions to labor and the San Francisco waterfront, the International Longshore and Warehouse Union (ILWU), Local 34 Waterfront Division, along with several other ILWU chapters and members, commissioned Tribute for the new James R. Herman Cruise Terminal at Pier 27. This Committee solicited Autodesk, an engineering, design and entertainment software company, to facilitate an artist’s selection process for this Tribute. Floating Point Collective was selected through this process to create this Tribute. The Tribute they created is an interactive audio and visual installation that is integrated with the interior of the cruise terminal.
 Pier 40 Sea Change Name: "Sea Change"
Artist: Mark di Suvero
Installed: 1995
Location: Pier 40
Description: This piece is a red, triangular steel sculpture, 70 feet in height and 10 tons in weight. It includes a circular top that moves in the wind; an elegant, kinetic sculpture. It serves as a gateway to the south beach waterfront.
 Barnacle Benches Name: "Barnacle Seating"
Artist: Surface Design, Inc. 
Installed: 2015
Location: Between Piers 9 and 15
Description: Autodesk, the Bay Conservation and Development Commission (BCDC) and the Port, agreed to a public access area for the Piers 9-15 wharf area. Using Autodesk software, Surface Design created the barnacle benches using 'barnacles' as a theme conceived to reflect the natural history of the site and the tendency for people to cluster together, like barnacles.
 Pier 92 Bayview Rise Name: "Bayview Rise"
Artist: Laura Haddad and Tom Druggan
Installed: 2014
Location: Pier 90 Silos
Description: A 197-foot mural installation that weaves together iconic imagery reflecting the Bayview neighborhood’s changing economy, ecology, community and history. It forms a 'gateway' into Bayview Hunters Point and is highly visible, changing from day to night as dynamic, projected lighting is cast upon it.
 Embarcadero Ribbon Name: "Promenade Ribbon Project"
Artist: Vito Acconci (with Stanley Saitowitz and Barbara Solomon)
Installed: 1996
Location: Embarcadero between North Point and Townsend Streets
Description: “This 2.5-mile long, 5-foot wide linear sculpture consists of concrete, glass blocks, and fiber optic lighting integrated into the design of the bayside pedestrian promenade. The work is a symbol of the juncture between the city and bay, commemorating the historic seawall and the water beneath the sidewalk." Learn more.
 Historic and Interpretive Art

Name: "Historic and Interpretive Signage Project"
Artist: Nancy Leigh Olmsted and Michael Manwaring
Installed: 1996
Location: Embarcadero between Bay and King Streets
Description: A series of 22 13-foot-high metal black-and-white-striped pylons and multiple bronze plaques spanning 2.5 miles, imprinted with photographs, stories, poetry and drawings commemorate the waterfront’s historical significance. Learn more

 Rincon Cupid's Span

Name: "Cupid's Span" 
Artist: Coosje van Bruggen and Claes Oldenburg
Installed: 2002
Location: Rincon Park
Description: This piece, commissioned by GAP founders Donald and Doris F. Fisher, is constructed of fiberglass and steel. The piece resembles Cupid's bow and arrow, with the arrow drawn and the bow partially submerged in the ground. The piece was originally inspired by San Francisco's reputation as the home port of Eros, the Greek god of love.

 Brannan Street Wharf Tidal Columns
Name: "Tidal Columns" 
Architect: Dan Hodapp 
Project Engineer: Steven Reel
Installed: 2013
Location: Brannon Street Wharf
Description: The tidal cycle consists of two high tides and two low tides each day. Extreme tides can swing by more than 8 feet from high to low. The tidal columns show this cycle by floating up and down with the rise and fall of the tide. Count the stripes to read the height of the tide in feet. Learn more.
Blue and silver spiraling sculpture at Islais Creek

Name: "Islais" 
Architect: Cliff Garten
Installed: May 2018
Location: Third Street, Arthur Avenue and Cargo Way
Description: The vibrant blue bronze and stainless-steel sculpture stands 20-feet tall and references the shape of the estuary with its different outlets before Islais Creek became a single channel. The stainless-steel wrap of the Islais sculpture was created by using the shape of the original coastline that explorers found as the profile for the rods at the bottom of the form, and the most recent shape of the mouth of the Creek as the profile of the rods at the top. Learn more.